A full review of Grant Morrison and Chris Burnham's Batman Incorporated #2!
From day one of the New 52, those of
us that have been through relaunches and revamps in the past knew
that there would be at least two warring factions within DC Comics.
Despite all of the talk of streamlined continuity and iconic versions
of characters, the company tried desperately to walk the thin line
between a complete reboot and nuanced revision. Less than a year
into the enterprise, the Bat-books remain the chief battlegrounds for
the tension between newly constructed continuity barriers and the
desire for the continuance of the pre-DCnU status quo. The absurdity
of this balancing act can be seen in the fact that Batman has been
operating in Gotham for half a decade but has already had four
different Robins—all while also having his back broken for a while
and dying for a period of time. With Batman Inc. #2, Grant
Morrison enters this already somewhat absurd Bat-history leaving
destructive narrative in his wake. By employing the same “everything
that happened in the comics, happened to Batman in some way”
techniques that he has been using since 2006, Morrison's second issue
is a compelling story that uses old continuity to continue his
Bat-run's foray into the New 52. In one issue, Morrison shifts the
front lines of Batman continuity struggle to Batman Inc.
Issue two weaves decades of Talia Al
Ghul-centric stories into a single book. In doing so, Morrison gives
context to not only his pre-relaunch Batman run but also the
current New 52 series Batman and Robin and the building
conflict with Leviathan in Batman Inc—all while stretching
the possible boundaries of the newly established canon. Batman
Inc #2 is the kind of book that few comic book writers could pull
off. The issue could have been a series of somewhat related scenes
with little atmosphere but, instead, feels like Leviathan's
manifesto. Here, after years of storytelling, Morrison reveals to us
why Talia's gone to so much trouble to take down Batman.
Perhaps the most interesting aspect of
Batman Inc #2 is it's deft use of continuity. If anything,
the series has shown that engaging comics can be written that are
steeped character history at a time when DC's editorial seems to
believe that comics bereft of continuity are more new reader
friendly. It's almost hard to believe that a book like Batman Inc
was allowed to be produced in the current DC regime. The fact that
it exists at all may be proof of just how much sway Morrison has as
one of the biggest names currently working in mainstream comics.
Even though Scott Snyder's Batman and Jimmy Palmiotti and
Justin Gray's All Star Western have dealt heavily with Gotham
City's past, they've mostly established new retroactive continuity.
The stories they've told have expanded the DC Universe rather than
building on already established stories. Batman Inc draws
it's inspiration directly from Pre-New 52 continuity—making it
unique in the company's current line up of books. The only other
franchise of books that are so closely connected to the old canon is
set of Green Lantern-centric series, but even they only really
connect back to the last half decade or so of Geoff Johns penned
work.
The art by Chris Burnham fits the tone
of the issue perfectly. As the story jumps through time, Burnham
does a masterful job of capturing the essence of the actual panels of
past stories. As someone who read through a collected edition of
Batman: Tales of the Demon a thousand times as a child, there were
tons of panels in Batman Inc #2 that I recognized immediately.
Somehow Burnham is able to walk the line between crisp and scratchy,
creating art that is stylish and fun.
All told, issue #2 of Batman Inc
is a masterful one. Morrison and Burnham are an impressive pair of
talents that support and build upon each other. Just two issues in,
the series is already one of the best books being published by DC.
Morrison has never had a problem building a story and this issue
shows why he is one of best in the business.
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